Law and Music
        Charles Biederman of the law firm Bass, Berry & Sims visited with our class on April 2 to discuss his role in the music manufacture through law. After graduating from Vanderbilt Law School in 1989, Mr. Biederman worked as a New York trial lawyer for four years. By his own admission, he was attempting to carve out a corner for himself and not be somebodys son, as his father was legendary delight lawyer Donald Biederman. After working in New York, Mr. Biederman move to Atlanta, where for 3-4 years he worked with baby rock bands in a two-lawyer firm. In Atlanta, he worked for Alan Katz (one of the best music attorneys in the nation) and thus moved to Nashville where he has lived and practiced law for the bygone four years.
        During his talk to the class, Mr. Biederman spoke about the many diametric aspects of his job. He described the process of cradling baby rock bands, including grapple marking the band name and setting up a protectorate corporation to protect the band from liability and at the same time establish a means of distributing money. In the early stages of this process, the attorney is manager, booking agent, and lawyer all draped into one. Yet the lawyer should not be the sole manager, consort to Mr. Biederman.
A system of checks and balances is necessary, just as a go in label should not be an artists management.
Mr. Biederman also described the underway state of music in Nashville. Describing the city as a modern Tin Pan Alley due to the plethora of songwriters, he talked about the many creative players in the labor who need legal representation. And that is exactly where he fits in instantaneously with his role at Bass, Berry & Sims. Through his...
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